Master¨s Research
ジョンジユン
JUNG Jieyun
わからないままでいられるために ぉ 恬瞳仝ただよう々を宥しての深賀
To remain incomprehensible C reflections through the work ｀drift¨
云冩梢は、F旗芙氏にﾚがるコミュニケ`ション嬬薦崛貧麼xと秤黯^のなかで、あえて仝わからないままでいること々を刃協議に彌え岷す吭xを冥る。秤鷦斜gのk婢やSNSの噸式により、繁？は湯寄な秤鵑防垢気譟◆犬垢戮討鮴軆發刑呂Α垢海箸尖誨されてきたが、徭失と麿宀の吭Rの掲住Q來ゆえに頼畠な犹ダ軆發浪賛苗椶任△蝓◆犬錣らない々彜Bは嬬薦音怎として電茅されがちである。 云猟では、まずF旗芙氏におけるコミュニケ`ションの}泣を屁尖し、仝わかるわからない々犹プ喘が伏むディスコミュニケ`ションの辛嬬來を峺姜する。肝に、P宀が崙恬した励つの枠佩恬瞳、仝冱Zと、X咄と、暴々仝麿繁とのR々仝hitsujikai 鹿發髻繁にする圭隈々仝hitsujikai ものがたり、ものがたり々を宥じ、冱Z??咄といったコミュニケ`ション勣殆の音_g來を椰g燕FへとQするみを深賀する。さらに、俐平恬瞳仝ただよう々を箭に、ギャラリ`腎gと寒腎gという屈嶷夛やZoomによる匯圭鯏簧鼎鰉辰い酉Q人に仝わからない々彜Bを悶Yさせ、Q人揖平が畸舛塀矚をa頼し栽い、仟たなを徭隼k伏させるプロセスをじる。 このg樹は、愔瓦陵衄尖盾を念戻とするモデルとは匯を鮫し、ディスコミュニケ`ションが仟たなvS來や夛來を伏む柵び邦となる辛嬬來を幣又する。剪の^や寒腎g、の席iなどの羿漬殆を喘いた仝ただよう々は、畸舛気伐惨_g來をeO議に鞭否する悶Yを戻工し、仝わからなさ々を徭失の坪中を壅盾し栽う弐Cへじることで、仟たな慌湖と夛來を伏み竃すことを幣した。 恷K議に、云冩梢は、仝わからないままでいること々がコミュニケ`ション藤困簀黯^謹にむF旗繁にとって、仟たなと慌湖の竃k泣になり誼ることを戻幣する。また、椰g燕Fとして學僥議な仝溝々のB業をディスコミュニケ`ションへ醤悶晒し、Q人との佚mvSを念戻とした仟たなvS來がBできることもg^した。書瘁は、IAMAS參翌の隆岑のQ人咾筬h廠での編^、およびQ人揖平のをeO議にデザインするインタラクティブなみを宥じ、仝わからないままでいること々の､謹な猟}でどのように鞭否されるかを冥る駅勣がある。
This study aims to explore the significance of deliberately affirming the state of ＾not knowing￣ within a contemporary society dominated by communicative competence supremacy and excessive information. With the advancement of information technologies and the widespread use of SNS, people are inundated with massive amounts of information, leading to the idealization of ＾complete mutual understanding.￣ However, due to the non-exchangeability of consciousness between oneself and others, perfect understanding is inherently impossible, and the condition of ＾not knowing￣ tends to be dismissed as a lack of ability. First, this paper addresses the problems of communication in modern society and underscores the potential for ＾discommunication￣ that arises from the interplay of ＾knowing￣ and ＾not knowing.￣ Next, through five preceding works produced by the author！＾Language, Noise, and Me,￣ ＾Mirror Between Others,￣ ＾hitsujikai: How to Turn a Group into Individuals,￣ ＾hitsujikai: tale, tale,￣ and others！the paper investigates attempts to translate the inherent uncertainty of linguistic, visual, and auditory communication elements into artistic expression. Furthermore, using the master¨s work Tadayou – Drift as a key example, it examines how a twofold structure composed of gallery and riverside spaces, along with one-way streaming via Zoom, allows viewers to experience a state of ＾not knowing￣ and spontaneously engage in collaborative interpretation and new forms of dialogue. This practice diverges from conventional models premised on complete understanding and suggests that discommunication has the potential to spark new relationships and creativity. In the piece Tadayou – Drift, elements such as a sheep¨s head, a riverside setting, and poetry readings foster an environment that embraces ambiguity and uncertainty. This environment transforms ＾not knowing￣ into an opportunity for shared re-interpretation of one¨s inner world, thereby generating fresh empathy and creativity. In conclusion, this research proposes that ＾remaining in a state of not knowing￣ can serve as a starting point for new dialogue and empathy among contemporary individuals burdened by communication fatigue and information overload. It further demonstrates that, as an artistic practice, actualizing the philosophical notion of ＾solitude￣ through discommunication！based on trust between artist and audience！can lead to new forms of interpersonal connection. Future efforts will involve examining how diverse audiences and settings outside of the IAMAS context receive the value of ＾remaining in a state of not knowing,￣ and pursuing interactive methods that actively encourage dialogue among viewers.
